Review of Hearts Unbroken by Cynthia Leitich Smith
Leitich Smith, Cynthia, 2018. Hearts
Unbroken. New York: Candlewick Press; ISBN: 978-0-7636-8114-2
PLOT SUMMARY
When Louise Wolfe’s first real
boyfriend mocks and disrespects Native people in front of her, she breaks
things off and dumps him over e-mail. It’s her senior year, anyway, and she’d
rather spend her time with her family and friends and working on the school
newspaper. The editors pair her up with Joey Kairouz, the ambitious new
photojournalist, and in no time the paper’s staff find themselves with a major
story to cover: the school musical director’s inclusive approach to casting The
Wizard of Oz has been provoking backlash in their mostly white, middle-class
Kansas town. From the newly formed Parents Against Revisionist Theater to
anonymous threats, long-held prejudices are being laid bare and hostilities are
spreading against teachers, parents, and students — especially the cast members
at the center of the controversy, including Lou’s little brother, who’s playing
the Tin Man. As tensions mount at school, so does a romance between Lou and
Joey — but as she’s learned, “dating while Native” can be difficult. In trying
to protect her own heart, will Lou break Joey’s?
CRITICAL ANALYSIS
To tell you the truth, I really
stay away from books that deal with love and relationships. I have had my share of broken hearts in my
past yet, I took a chance on this book. One can say that the cover and the
words Hearts Unbroken called to me. This
book wants to communicate a lot of good messages about inclusivity and the
continued prejudice surrounding indigenous and native peoples in America. It’s
a real story about a native teenager whose relationship falters with her first
boyfriend due to a remark against her race. Some of the messages are able to
come across, but not a lot of the what the book is trying to point out comes
across due to it being bogged down by the awkwardness of writing and the most monotone
style one could imagine reading. Lou is a likable character in the story, but
she has several faults that are not resolved or addressed properly in the story.
That leaves me with a bad taste in my reading brain. The plot events are exaggerated
at best. The main goal of this book is trying to spread about being mindful of
other people’s heritage and race. However, it is very unfortunate because the
of the writing, chapter breaks, characterization, and more are so irregular and
inconsistent. This book would be much more effective if it were not written so
poorly in my opinion.
This book invites the readers to
stop and consider how characters, settings, and events are portrayed culturally
in the books they read. They can then examine how others are portrayed more
closely while drawing comparisons and contrasts and strengthening their ties to
their own culture. You can change the default questions in each level's slots
to fit your learning objectives and aspirations.
REVIEW EXCERPT(S)
Blending teen romance with
complex questions of identity, equality, and censorship, this is an excellent
choice for most collections. —School Library Journal (starred review)
In a time when #ownvoices stories
are rising in popularity among YA readers, this brings an insightful story to
the conversation...this is truly a thought-provoking and educational novel. —Booklist
Louise...is believable in her own
missteps, and her younger brother’s moral quandary—he’s unsure if he wants to
stay in the play after finding out about L. Frank Baum’s virulent anti-Native
prejudice—is compellingly explored...a revealing account of a bigotry
experience that sometimes gets overshadowed by others, though, and readers will
sympathize with Louise’s frustrations. —Bulletin of the Center for Children's
Books
Smith effectively presents the
continuous microaggressions Lou faces as a young Native woman alongside the
central narrative arc of the school play. —The Horn Book
Smith depicts the Wolfes’ warm
family life as a stable foundation as Hughie and Lou each confront challenges,
and she is especially successful at portraying the camaraderie and conflicts of
the newspaper staff...a thought-provoking work of realistic teen fiction. —Publishers
Weekly Online
CONNECTIONS
·
Students consider the beginning, middle, and end
of the story by writing or drawing.
·
Students consider the setting, characters,
beginning, middle, end, problem, and solution of the story.
·
Students consider the setting, characters,
rising action, conflict, climax, falling action, and resolution of the story.

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